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129 resources
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Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
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Johnson, Jan, ed. Du privé au public : gravures du Québec provenant des membres de la Société des Collectionneurs d’estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: SCEM / MPCS, 2004.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Graham, Ron, ed. Obsession: Sir William Van Horne’s Japanese Ceramics. Montreal and Kingston: Published for the Gardiner Museum (Toronto) by McGill-Queen’s University Press, 2018.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
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Beitel, Garry. Y’a Rien de Sacré / Nothing Sacred. Documentary. National Film Board of Canada, 2003.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
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Bondil, Nathalie, and Hélène Lamarche. The Museum of Fine Arts, Montreal. Translated by Margaret Clarke. Paris and Montreal: Fondation BNP Paribas and Montreal Museum of Fine Arts, 2001.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Burr, Gordon. “Edward Black Greenshields: The McGill Connection.” Fontanus Vol. 11 (2003): 129–143.
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Busseau, Laurent. “Guido Nincheri : le savoir-faire de la Renaissance italienne à Montréal.” Histoire Québec Vol. 22, no. 4 (2017): 14–16.
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Campbell, James. “Young Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate.” Border Crossings Vol. 25, no. 2 (June 2006): 68–75.
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Campbell, James D. Fonds et Figures: L’oeuvre de Ross Heward: Avec Une Esquisse de La Vie et de l’oeuvre de Sa Tante, Prudence Heward/Figures and Grounds: The Work of Ross Heward: With a Brief Sketch of the Life and Work of His Aunt Prudence Heward. Montreal: Visual Arts Centre, McClure Gallery, 2005.
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Carlevaris, Anna Maria. “Italian Artists in Quebec, Some Methodological Considerations.” Studi Emigrazione No. 166 (2007): 295–312.
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Collins, John. Montreal Memories of the Century from the Sketchbooks of John Collins. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2000.
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Collins, John. Quebec Sketchbook 1940-2004: Over 60 Years of Skteching Our City and Our Province. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2004.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Previously Unseen Kathleen Moir Morris : Montreal, Rare and Iconic.” The Magazine of the Montreal Museum of Fine Arts, August 2019.
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Des Rochers, Jacques, and Loren R. Lerner. Sam Borenstein. Montréal: Musée des Beaux-Arts de Montréal, 2005.
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Dussault, Nathalie. “Parachute : discours de médiation : études de cas : Pierre Boogaerts, Geneviève Cadieux, Melvin Charney, Betty Goodwin, Robert Racine et Irene Whittome.” Master’s Thesis, Université du Québec à Montréal, 2005.
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