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Nigam, Sunita, and Fabian Will. “Black in the Townships : Exhibit Research Grapples with Uncomfortable Truths and Fragmented Archives.” Quebec Heritage News, Winter 2022.
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Nantel, Sarah. “Shalom Montreal: Stories and Contributions of the Jewish Community, McCord Museum.” Archivaria: The Journal of the Association of Canadian Archivists No. 86 (Fall 2018): 192–197. https://archivaria.ca/index.php/archivaria/article/view/13650/15051.
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Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
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Minnett, Valerie. “Inside and Outside: Pathology, Architecture and the Domestic Environment at the Montreal Tuberculosis Exhibition, 1908.” Project report, School of Architecture, McGill University, McGill University, 2004.
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Miller, Pamela. Les Archives Du Musée McCord/The McCord Museum Archives. Montreal: McGill-Queen’s University Press for Musée McCord d’histoire canadienne / McCord Museum of Canadian History, 1992.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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Lerner, Loren. “The Aron Museum at Temple Emanu-El-Beth Sholom in Montreal.” Material Culture Review/Revue d’histoire de la culture matérielle Vol. 64 (Fall 2006): 8–19. https://journals.lib.unb.ca/index.php/MCR/article/view/18069.
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Landry, Pierre. Melvin Charney. Montréal: Musée d’art contemporain, 2002.
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Kuntz, Harry. “Science Culture in English-Speaking Montreal, 1815-1842.” PhD dissertation, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-979513.pdf.
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Hill, Charles C. Canadian Painting in the Thirties. Ottawa, ON: National Gallery of Canada, 1975.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Heaman, Elsbeth. “Commercial Leviathan: Central Canadian Exhibitions At Home and Abroad During the Nineteenth Century.” PhD dissertation, University of Toronto, 1996.
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Gagnon, Hervé. Divertir et instruire. Les musées de Montréal au XIXe siècle. Sherbrooke, QC: G.G.C. Éditions, 1999.
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Gagnon, Hervé. “Divertissement et patriotisme : la genèse des musées d’histoire à Montréal au XIXe siècle.” Revue d’histoire de l’Amérique française Vol. 48, no. 3 (Hiver 1995): 317–349. http://www.erudit.org/revue/haf/1995/v48/n3/305348ar.pdf.
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Gagnon, Hervé. “The Natural History Society of Montreal’s Museum and the Socio-Economic Significance of Museums in 19th- Century Canada.” Scientia Canadensis Vol. 18, no. 2 (1994): 103–135. https://www.erudit.org/en/journals/scientia/1994-v18-n2-scientia3233/800382ar.pdf.
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Gagnon, Hervé. “L’évolution des musées accessibles au public à Montréal au XIXe siècle : capitalisme culturel et représentations idéologiques.” PhD dissertation, Université de Montréal, 1994.
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Gagnon, Hervé. “Des animaux, des hommes et des choses : les expositions au Bas-Canada dans la première moitie du XIXe siècle.” Histoire sociale/Social History Vol. 26, no. 52 (Novembre1993): 291–327. https://hssh.journals.yorku.ca/index.php/hssh/article/view/16515/15374.
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Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
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Duchesne, Raymond, and Paul Carle. “L’ordre des choses : cabinets et musées d’histoire naturelle au Québec (1824-1900).” Revue d’histoire de l’Amérique française Vol. 44, no. 1 (t 1990): 3–30. https://www.erudit.org/en/journals/haf/1990-v44-n1-haf2390/304861ar.pdf.
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Drouin, Daniel. “Les meubliers du Québec aux expositions provinciales internationales et universelles (1850-1900).” Master’s Thesis, Université Laval, 1993. https://corpus.ulaval.ca/jspui/bitstream/20.500.11794/33516/1/11817.pdf.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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de Andrade, Marie-Maxime. “The Exhibition of Art in Montreal’s Department Stores, 1900–1945.” Master’s Thesis, Carleton University, 2018. https://curve.carleton.ca/310b4284-4b82-4796-b7cf-e8f8343536a5.
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Cooke, W. Martha E. The Last “Lion” : Rambles in Quebec with James Pattison Cockburn Incorporating Quebec and Its Environs, a Reproduction of the 1831 Guidebook Attributed to J.P. Cockburn. Kingston, ON: Agnes Etherington Art Centre, 1978.
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Constant, Jean-François. “Les expositions agricoles et industrielles à Montréal entre 1880 et 1884.” Master’s Thesis, Université de Montréal, 2004. https://papyrus.bib.umontreal.ca/xmlui/handle/1866/14823.
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Brooke, Janet M., Nicole Cloutier, Elizabeth H. Kennell, and Monique Nadeau-Saumier. La Collection Frederick Simpson Coburn. Sherbrooke, Qué: Musée des beaux-arts, 1996.
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Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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