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Matte, Isabelle. “Récit d’une Beauceronne en Irlande ou la découverte de ‘l’irlandicité’ des Québécois.” Cap-aux-Diamants No. 88 (Hiver 2007): 36–39. https://www.erudit.org/en/journals/cd/2007-n88-cd1044833/6967ac.pdf.
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Ingraham, Mary I. “Something to Sing About : A Preliminary List of Canadian Staged Dramatic Music Since 1867.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 28, no. 1 (2007): 14–77. https://www.erudit.org/en/journals/is/2007-v28-n1-is2474/019291ar.pdf.
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Pelletier, Robert. “The Hybrid Organ at St. Paul’s Anglican in Abbotsford, Quebec.” ROS Quarterly Vol. 25, no. 2 (Summer 2006). http://www.reedsoc.org/articlearchive/Abbotsford.pdf.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Young, David. “Céline Dion, the ADISQ Controversy, and the Anglophone Press in Canada.” Canadian Journal of Communication Vol. 24, no. 4 (Autumn 1999): 515–538. http://www.cjc-online.ca/index.php/journal/article/viewArticle/1124.
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Desjardins, Jacques. “Brian Cherney et Bruce Mather : la clairvoyance du compositeur solitaire.” Circuit Vol. 10, no. 2 (1999): 17–28. https://www.erudit.org/en/journals/circuit/1999-v10-n2-circuit138/004660ar.pdf.
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Beckwith, John. “Choral Music in Montreal Circa 1900: Three Composers.” University of Toronto Quarterly Vol. 63, no. 4 (Summer 1994): 504–517.
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Norris, Ken. “‘From This Broken Hill’: Leonard Cohen’s Stranger Music.” American Review of Canadian Studies Vol. 24, no. 3 (1994): 363–375.
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McGee, Timothy J. “An Elegant Band of Music: Music in Canada in the 18th Century.” International Journal of Canadian Studies / Revue internationale d’études canadiennes Vol. 5 (Spring 1992): 25–37. http://www.iccs-ciec.ca/documents/riec/67.pdf?v=1358480745.
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Posen, Sheldon I. “English-French Macaronic Songs in Canada – A Research Note and Query.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 35–43.
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Bennett, Margaret. “Gaelic Song in Eastern Canada: Twentieth-Century Reflections.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 21–33.
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Gordon, Tom. “Music in Absentia: Bishop’s Faculty of Music, 1886-1947.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 11, no. 2 (1991): 33–50. https://www.erudit.org/en/journals/cumr/1991-v11-n2-cumr0439/1014106ar.pdf.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Grégoire, Carole. “La situation de l’orgue au Québec entre 1764 et 1836 telle que présentée par la presse.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 10, no. 1 (1990): 1–11. https://www.erudit.org/en/journals/cumr/1990-v10-n1-cumr0505/1014892ar.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Benazon, Michael. “Leonard Cohen of Montreal.” Matrix No. 23 (Fall 1986): 43–57.
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Robert, Véronique. “Culture Without Frontiers.” Forces No. 73 (Hiver 1986): 37–40.
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MacDonald, Joan. “The Eastern Townships Conservatory of Music.” Stanstead Historical Society Journal Vol. 11 (1985): 35–38.
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Cohen, Judith R. “Judeo-Spanish Traditional Songs in Montreal and Toronto.” Canadian Folk Music Journal Vol. 10 (1982): 40–47.
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MacDonald, Mary Lu. “An Index to The Literary Garland Update.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 19 (1980): 79–83.
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Rooney, Frances. “The Montreal Women’s Symphony.” Atlantis Vol. 5, no. 1 (Fall 1979): 70–82. http://journals.msvu.ca/index.php/atlantis/article/viewFile/4711/3942.
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Skelton Grant, Judith. “Leonard Cohen’s Poems-Songs.” Studies in Canadian Literature / Études en littérature Canadienne Vol. 2, no. 1 (Winter 1977): 102–107. https://journals.lib.unb.ca/index.php/scl/article/view/7856/8913.
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