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8 resources
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Evoughlian, Sandra. “Envisioning New Futures : Portrait Photographs of Black Victorians in Montreal, 1861-1901.” Master’s Thesis, McGill University, 2018. https://escholarship.mcgill.ca/concern/theses/v979v695j.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
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Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.