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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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Bridges, Marjorie Lismer, ed. A Border of Beauty: Arthur Lismer’s Pen and Pencil. Toronto, ON: Red Rock, 1977.
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In The House: The Story of the Needlepoint Kneelers. Montreal: Christ Church Cathedral, 1978.
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Watchtel, Wendy, ed. There Is A Voice: A Collection of English Poetry and Photography by Montreal Women. New York, NY: Angle Lightning Press, 1978.
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Eidelberg, Martin, ed. Design 1935-1965: What Modern Was. Selections from the Liliane and David M. Stewart Collection. Montréal: Musée des arts décoratifs de Montréal, 1991.
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Hommage à Nincheri à l’occasion du XXème anniversaire de sa mort /Omaggio a Nincheri nel XX anniversario della sua scomparsa. Montréal: Centre culturel italien du Québec / Centro culturale italiano del Quebec / Italian Cultural Center of Quebec, 1993.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Johnson, Jan, ed. Du privé au public : gravures du Québec provenant des membres de la Société des Collectionneurs d’estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: SCEM / MPCS, 2004.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Graham, Ron, ed. Obsession: Sir William Van Horne’s Japanese Ceramics. Montreal and Kingston: Published for the Gardiner Museum (Toronto) by McGill-Queen’s University Press, 2018.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Adams, Robert. The Life and Work of Alexander Bercovitch, Artist. Montreal: Éditions Marlowe, 1988.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Alvarez Hernandez, Analays. “La commande publique dans un contexte de diversité ethnoculturelle: débat entourant l’érection du monument La Réparation (1994-1998).” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3715.pdf.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Asselin, Hedwige. Inédits de John Lyman. Montréal: Bibliothèque nationale du Québec, 1980.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Aylen, Marielle. “Interfaces of the Portrait: Liminality and Dialogism in Canadian Women’s Portraiture between the Wars.” Master’s Thesis, Carleton University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp04/MQ26894.pdf.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Bara, Jana L. “Furs in Fashion as Illustrated in the Photo-Portraiture of William Notman in the 1860’s.” Master’s Thesis, Concordia University, 1986. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3340.pdf.
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