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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Campbell, John (Marquis of Lorne). “The Opening of an Art Institute in Montreal in 1879.” In Memories of Canada and Scotland: Speeches and Verses, 214–220. Montreal: Dawson Brothers, 1884. https://archive.org/details/memoriesofcanada00argy/page/214.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Trépanier, Esther. “The Expression of a Difference : The Milieu of Quebec Art and the Group of Seven.” In The True North: Canadian Landscape Painting, 1896-1939, edited by Michael Tooby, 98–116. London, England: Lund Humphries in association with Barbican Art Gallery, 1991.
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Lortie, Léon. “The English Contribution to Quebec’s Cultural Life.” In Aux Sources Du Présent/The Roots of the Present. Études Présentées à La Section I de La Société Royale Du Canada/Studies Presented to Section I of the Royal Society of Canada, edited by Léon Lortie and Adrien Plouffe, 51–69. Toronto, ON: University of Toronto Press, 1960.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Gehmacher, Arlene. “Speaking Volumes: James Duncan ‘Takes Note’ of Montreal.” In James Duncan (1806-1881) : Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 48–59. Montreal: McCord Stewart Museum, 2023.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Laroche, Ginette. “Réflexions sur une iconographie religieuse protestante: étude comparée de deux systèmes.” In Questions d’art québécois, edited by John R. Porter, 221–234. Québec: CÉLAT, 1987.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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Prioul, Didier. “Les paysagistes britanniques au Québec : de la vue documentaire à la vision poétique.” In La Peinture au Québec, 1820-1850: nouveaux regards, nouvelles perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec & Les Publications du Québec, 1991.
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Trépanier, Esther. “Les enjeux artistiques à Montréal : le discours critique dans la presse montréalaise de 1915 à 1930.” In Peindre à Montréal, 1915-1930 : Les peintres de la Montée Saint-Michel et leurs contemporains, edited by Laurier Lacroix, 86–107. Montréal et Québec: Galerie de l’UQÀM – Musée du Québec, 1996.
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Déry, Louise. “La mémoire à rebours : Lyman et le ‘présent du passé.’” In Des lieux de mémoire: identité et culture modernes au Québec, 1930-1960, edited by Marie Carani, 183–191. Ottawa, ON: Presses de l’Université d’Ottawa, 1995.
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Krausz, Peter. “John Fox – A Reminiscence / John Fox – Une Évocation.” In John Fox: Refiguration, translated by Élise Bonnette, Irina Krausz, and Monique Nadeau-Saumier, 65–68. Montreal: Visual Arts Centre/McClure Gallery / Centre des arts visuels/Galerie McClure, 2010.
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Lacroix, Laurier. “Italian Art and Artists in Nineteenth-Century Québec: A Few Preliminary Observations.” In Arrangiarsi: The Italian Immigrant Experience in Canada, edited by Roberto Perin and Franc Sturino, 163–178. Montreal: Guernica, 1989.
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Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
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Pierce, Alexandria. “Imperialist Intent: Lord Strathcona’s Art Collection in Nineteenth-Century Montreal.” In Montreal-Glasgow, edited by Bill Marshall, 105–116. Glasgow, Scotland: University of Glasgow French and German Publications, 2005.
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