The Interplay of Action and Set in the Plays of David Fennario
Type of resource | |
---|---|
Author/collaborator |
|
Title |
The Interplay of Action and Set in the Plays of David Fennario
|
Abstract |
A study of four plays Fennario (b. 1947) wrote during the time of his association with Montreal's Centaur Theatre. The author points out Fennario's contradiction in the use of Naturalism and Marxism. The author concludes with a brief examination of the first play Fennario wrote, after abandoning both the Centaur and Naturalism, for the Black Rock Theatre in his home neighbourhood of Pointe Saint-Charles/Verdun.
|
Publication |
Theatre History in Canada/Histoire du théâtre au Canada
|
Volume |
Vol. 9
|
Issue |
no. 1
|
Pages |
3-18
|
Date |
Spring 1988
|
Language |
en
|
URL | |
Citation |
Nunn, Robert C. “The Interplay of Action and Set in the Plays of David Fennario.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 9, no. 1 (Spring 1988): 3–18. https://journals.lib.unb.ca/index.php/TRIC/article/view/7346.
|
Find in a library | |
Permalink |