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29 resources
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Beauclerk, Charles. Lithographic Views of Military Operations in Canada Under His Excellency Sir John Colborne, G.C.B., Etc, During the Late Insurrection. From Sketches by Lord Charles Beauclerk, Captain, Royal Regiment. Accompanied by Notes Historical and Descriptive. London, England: Published by A. Flint, 1840.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
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Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Campbell, John (Marquis of Lorne). “The Opening of an Art Institute in Montreal in 1879.” In Memories of Canada and Scotland: Speeches and Verses, 214–220. Montreal: Dawson Brothers, 1884. https://archive.org/details/memoriesofcanada00argy/page/214.
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Carlevaris, Anna Maria. “Cultivating Heroes: From Dante and Caboto to Mussolini, The Public Art of Montreal’s Italians in the 1920s - 1930s.” PhD dissertation, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-8202.pdf.
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Chagnon, Joanne. “Le portrait de Sir James Henry Craig par Levi Stevens.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 58–63. http://jcah-ahac.concordia.ca/en/archive?page=6.
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Duhamel, Serge. “George Heriot, auteur et artiste.” Cap-aux-Diamants No. 35 (Automne 1993): 67. https://www.erudit.org/en/journals/cd/1993-n35-cd1043067/8437ac.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Ferron-Desautels, Marie. “Katherine Jane Ellice (1812-1864) : de Beauharnois à Glenquoich, rires et pérégrinations d’une artiste en mouvement.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/13368/1/M16342.pdf.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Gubbay, Aline. “Three Montreal Monuments: An Expression of Nationalism.” Master’s Thesis, Concordia University, 1978. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5421.pdf.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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Hayes, E. H. Montrealers As We See’em. [S.l.]: Canada Newspaper Cartoonists’ Association, 1905.
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Kish, Albert. Notman’s World. Documentary. National Film Board of Canada, 1989. http://www.nfb.ca/film/notmans_world.
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Lacroix, Laurier. “La collection comme temps de la Nation : Les premières acquisitions du Musée de la province de Québec en 1920.” Les Cahiers des dix No. 62 (2008): 123–151. https://www.erudit.org/en/journals/cdd/2008-n62-cdd3423/038123ar.pdf.
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Morris, Raymond N. The Carnivalization of Politics: Quebec Cartoons on Relations with Canada, England and France, 1960-1979. Montreal and Kingston: McGill-Queen’s University Press, 1995.
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Schwartz, Stephanie Tara. “Occupation and 20 Ans Après: Representing Jewish Activism in Montreal, 1968-1977.” Canadian Jewish Studies / Études juives canadiennes Vol. 25 (2017): 60–78. https://cjs.journals.yorku.ca/index.php/cjs/issue/view/2288.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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Turcot, Laurent. “The Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 12, no. 1 (Automne 2011): 91–135. https://www.erudit.org/fr/revues/mens/2011-v12-n1-mens0146/1010567ar.pdf.