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Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Miller, Pamela. “‘When There Is No Vision, the People Perish’: The McCord Family Papers, 1766-1945.” Fontanus Vol. 3 (1990): 17–34. http://fontanus.mcgill.ca/article/view/30.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Stanworth, Karen. Visibly Canadian: Imaging Collective Identities in the Canadas, 1820-1910. Montreal and Kingston: McGill-Queen’s University Press, 2014.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Waters, Natalie, and Emily MacKenzie. “Uncovering the McGill Library Lyman Collection : The Lasting Legacy of an Amateur Entomologist.” Library & Information History Vol. 34, no. 3 (August 2018): 149–159.
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Henry Birks and Sons. The Silver Thread Through Canadian History : “The Henry Birks Collection” of Canadian Silver. Montreal: Henry Birks & Sons, 1970.
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Triggs, Stanley G. “The Notman Photographic Archives.” History of Photography Vol. 20, no. 2 (1996): 180–185.
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Bondil, Nathalie, and Hélène Lamarche. The Museum of Fine Arts, Montreal. Translated by Margaret Clarke. Paris and Montreal: Fondation BNP Paribas and Montreal Museum of Fine Arts, 2001.
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Young, Brian. The Making and Unmaking of a University Museum: The McCord, 1921-1996. Montreal-Kingston: McGill-Queen’s University Press, 2000.
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Ferrabee, Henry Gilbert. “The Educational Function of Museums in the Vicinity of Montreal: With Special Reference to Historical Museums and Sites.” Master’s Thesis, McGill University, 1953. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-109318.pdf.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Pepall, Rosalind. Talking to a Portrait : Tales of an Art Curator. Montreal: Véhicule Press, 2020.
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Langford, Martha. “Suspended Conversations: Private Photographic Albums in the Public Collection of the McCord Museum of Canadian History.” PhD dissertation, McGill University, 1997. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-42072.pdf.
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Strong, David Calvin. “Sidney Carter and Alfred Stieglitz: The Canadian Pictorialist Exhibition (1907).” History of Photography Vol. 20, no. 2 (1996): 160–162.
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Laplace, Josée. “Rêve muséal : Étude de la patrimonalisation de l’église Erskine and American United à Montréal.” Journal of the Society for the Study of Architecture in Canada/Journal de la Société pour l’étude de l’architecture au Canada Vol. 36, no. 2 (2011): 27–44. https://dalspace.library.dal.ca/bitstream/handle/10222/65286/vol36_no2_27_43.pdf?sequence=1&isAllowed=y.
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Gauvin, Nicolas A. “Représenter l’Holocauste : Le traitement et la représentation de l’Holocauste dans les musées-mémoriaux d’Amérique du Nord. Étude comparative : Le United States Holocaust Memorial Museum et le Centre commémoratif de l’Holocauste Montréal.” Master’s Thesis, Concordia University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ44880.pdf.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Wright, Donald A. “Remembering War in Imperial Canada: David Ross McCord and The McCord National Museum.” Fontanus Vol. 9 (1996): 97–104. http://fontanus.mcgill.ca/article/view/139.
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Tremblay, Mathieu. “Quand une église devient musée : le cas du MUSO – Musée de société des Deux-Rives à Salaberry-de-Valleyfield.” Rabaska : revue d’ethnologie de l’Amérique française Vol. 8 (2010): 93–99. https://www.erudit.org/en/journals/rabaska/2010-v8-rabaska3976/045257ar.pdf.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Grant, Grell V. Portrait of Greenwood. Hudson, QC: Greenwood Centre for Living History, 2009.
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Strong, David Calvin. “Photography Into Art: Sidney Carter’s Contribution to Pictorialism.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 6–27. http://jcah-ahac.concordia.ca/fr/archive/1996_17-2.
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Teitelbaum, Matthew. Paterson Ewen, the Montreal Years. Saskatoon, SK: Mendel Art Gallery, 1987.
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Cousins, Darlene Caroline. “Otto Dix’s Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum.” Master’s Thesis, Concordia University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1854.pdf.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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Brett, Katharine B. “McCord Museum Costume Display, Montreal.” Costume Society of Ontario Newsletter Vol. 1, no. 2 (Summer 1971): 2–3.
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