Your search results
117 resources
Page 1 de 4
-
Walters, Evelyn. Prudence Heward : Canadian Modernist Painter. Altona, MB: FriesenPress, 2022.
-
Trépanier, Esther. Scott, Brandtner, Eveleigh, Webber : Revisiting Montreal Abstraction of the 1940s. Montreal and Kingston: McGill-Queen’s University Press, Les presses de l’Université de Montréal and the Musée d’art de Joliette, 2022.
-
LeBlanc, Victoria. Clay Roots : The Potters’ Club and Its Legacy at the Visual Arts Centre. Westmount, QC: Visual Arts Centre, 2021.
-
Des Rochers, Jacques. “Previously Unseen Kathleen Moir Morris : Montreal, Rare and Iconic.” The Magazine of the Montreal Museum of Fine Arts, August 2019.
-
Keays, Cathy. The Women’s Art Society of Montreal and Its Place in History, 1894-2019. Montreal: Cathy Keays, 2019.
-
Stacey, Robert David. “Staying Afloat in the Typing Pool: P.K. Page, Poetry, and the Modern Office.” Journal of Canadian Studies / Revue d’études canadiennes Vol. 52, no. 2 (Spring 2018): 481–509.
-
Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
-
Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
-
Walters, Evelyn. The Beaver Hall Group and Its Legacy. Toronto, ON: Dundurn Press, 2017.
-
Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
-
Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
-
Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
-
Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
-
Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
-
Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
-
Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
-
Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
-
Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
-
Malboeuf, David, and Rima Hammoudi. Jennifer Hornyak. Montreal: Jennifer Hornyak, 2011.
-
Loubier, Patrice. Karen Elaine Spencer : porteur de rêves / Dream Listener. Translated by Peter Dubé and Colette Tougas. Alma, QC: Sagamie édition d’art, en collaboration avec le Centre Sagamie, 2011.
-
Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
-
McClure, Virginia. The Yellow Painting: A Memoir. Montreal: Visual Arts Centre/McClure Gallery, 2009.
-
Trépanier, Esther. Jewish Painters of Montreal: Witnesses of Their Time, 1930-1948. Translated by Judith Terry. Montréal: Les Éditions de l’Homme, 2008.
-
Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
-
Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
-
Lerner, Loren. “From Victorian Girl Reader to Modern Woman Artist: Reading and Seeing in the Paintings of the Canadian Girl by William Brymner, Emily Coonan, and Prudence Heward.” Canadian Children’s Literature/Littérature canadienne pour la jeunesse Vol. 33, no. 2 (Autumn 2007): 19–50.
-
Macdonald Trudel, Mary. Les Peintres Féminins Du Groupe Du Beaver Hall / The Beaver Hall Group of Women Painters. Montreal: Galerie Walter Klinkhoff, 2007.
-
Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
-
Frey, Geza. “L’institution muséale et le marché de l’art : étude de cas sur cinq artistes membres du Groupe du Beaver Hall, 1970-2007.” Master’s Thesis, Université du Québec à Montréal, 2007.
-
Campbell, James. “Young Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate.” Border Crossings Vol. 25, no. 2 (June 2006): 68–75.
Page 1 de 4