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Wyder, Patricia. “The Theatre Arts Programmes at the Montreal Anglophone CEGEP: A Study of Their History, Philosophy and Development from 1967 to 1980.” Master’s Thesis, McGill University, 1981. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-57374.pdf.
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Wagner, Anton. “Le critique B.K. Sandwell du Montreal Herald durant la Belle Époque, 1900-1914.” Translated by Jean-Guy Laurin. L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 95–110. https://core.ac.uk/download/pdf/59339634.pdf.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Vickery, Anthony. “Two Patterns of Touring in Canada: 1896 to 1914.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 31, no. 1 (2010): 1–19. http://journals.hil.unb.ca/index.php/tric/article/view/18281/19698.
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Tumarkin, Pola. “An Historiographical Reading of the Founding of Canada’s National Theatre School.” PhD dissertation, York University, 2016. https://yorkspace.library.yorku.ca/xmlui/bitstream/handle/10315/32289/Tumarkin_Pola_R_2016_PhD.pdf?sequence=2.
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Tremblay, Alex. “L’enracinement du théâtre et de la musique à Québec au xixe siècle.” Histoire Québec, 2015. https://www.erudit.org/en/journals/hq/2015-v20-n3-hq01826/77865ac.pdf.
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Sulte, Benjamin. “Historical and Miscellaneous Literature of Quebec - 1764-1830.” Transactions of the Royal Society of Canada/Mémoires de la Société royale du Canada 2nd Series, Vol. 3 (1897): 269–278. http://www.archive.org/stream/cihm_24584#page/n3/mode/2up.
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Shtychno, Alexandra. “Luigi Giovanni Vitale Capello a.k.a. Cappello (1843-1902), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3622.pdf.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Rittenhouse, Jonathan. “Herbert Whittaker: A Theatre Life.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 3, no. 1 (Spring 1982): 51–78. https://journals.lib.unb.ca/index.php/TRIC/article/view/7499.
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Ripley, John. “Shakespeare on the Montreal Stage 1805-1826.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 3, no. 1 (Spring 1982): 3–20. https://journals.lib.unb.ca/index.php/tric/article/view/7496/8555.
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Reid, Gregory J. “Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama.” Comparative Drama Vol. 35, no. 3–4 (2021): 291–318. https://scholarworks.wmich.edu/compdr/vol35/iss4/3.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Poulin, Louise. Faire les bons Choix. État des immobilisations pour la création, la production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal: ArtExpert.ca, 2007. https://numerique.banq.qc.ca/patrimoine/details/52327/1901477?docref=z17KP-Vkc3MFCCwUhpnQUQ.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Nunn, Robert C. “The Interplay of Action and Set in the Plays of David Fennario.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 9, no. 1 (Spring 1988): 3–18. https://journals.lib.unb.ca/index.php/TRIC/article/view/7346.
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Neilson, Patrick G. “Charles Burket Rittenhouse: Theatrical Avocations and Affiliations 1925-1976.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 4, no. 1 (Spring 1983): 73–92. https://journals.lib.unb.ca/index.php/TRIC/article/view/7478.
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Needles, Jane. “Stage Legends : Highlights From a Long History of English Theatre in Montreal.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Moy, James S. “The First Circus in Eastern Canada.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 1, no. 1 (Spring 1980): 12–23. https://journals.lib.unb.ca/index.php/tric/article/view/7538/8597.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Margolis, Rebecca. “Holocaust and Post-Holocaust Yiddish Theatre in Montreal: A Canadian Response to Catastrophe.” In Leket: Yidishe Shtudyes Haynt/Leket: Jiddistik Heute/Leket: Yiddish Studies Today, edited by Marion Aptroot, 525–540. Düsseldorf, Germany: Düsseldorf University Press, 2012. https://docserv.uni-duesseldorf.de/servlets/DerivateServlet/Derivate-23711/cuknya6h/Leket_ganz_A.pdf.
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Lynde, Denyse. “Sir Peters and Lady Teazles of Montreal’s Theatre Royal, 1829-1839.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 4, no. 1 (Spring 1983): 57–72. https://journals.lib.unb.ca/index.php/TRIC/article/view/7477/8536.
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Leofeli Romero Barlizo, Marie. “Diversity In Bloom In Montreal English Theatre.” TicArtToc, Spring 2018. https://www.erudit.org/en/journals/ticarttoc/2018-n10-ticarttoc03667/88173ac.pdf.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Larrue, Jean-Marc. “L’activité dramatique à Montréal de 1890 à 1900.” Master’s Thesis, McGill University, 1979. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-54728.pdf.
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Kremer, Johanna. “Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-28286.pdf.
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Klein, A. Owen. “The Opening of Montreal’s Theatre Royal, 1825.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 1, no. 1 (Spring 1980): 24–38. https://journals.lib.unb.ca/index.php/TRIC/article/view/7539/8598.
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