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Collins, John. Montreal Memories of the Century from the Sketchbooks of John Collins. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2000.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Lacroix, Laurier. “Berlin-Paris : George W. Hill et Lyonel Feininger Correspondants de Frederick S. Coburn.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 14 (Spring 1999): 79–91. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-7-Lacroix.pdf.
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Gagnon, François-Marc. “Le Lac Memphrémagog et les peintres.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 14 (printemps 1999): 9–17.
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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Reid, Dennis. Krieghoff: Images of Canada. Vancouver and Toronto: Douglas & McIntyre; and Art Gallery of Ontario, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Baker, Victoria. “Establishing A Sense Of Community: Early Representations of the Eastern Townships.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est. No. 14 (1999): 19–32. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-5-Baker.pdf.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Béland, Mario. “Montréal vu par John P. Drake.” Cap-aux-Diamants No. 52 (Hiver 1998): 63. https://www.erudit.org/fr/revues/cd/1998-n52-cd1042789/8106ac.pdf.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Nadeau-Saumier, Monique. Bishop’s University Collection : An Art Compendium / La Collection de l’Université Bishop’s : Un Abrégé de I’art. Lennoxville, QC: Bishop’s University, 1998. https://www.ubishops.ca/wp-content/uploads/BU-Collection_an-Art-Compendium.pdf.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Nadeau-Saumier, Monique. “Frederick Simpson Coburn: The Human History of a Landscape.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 77–876.
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Belleau, Bernard. “Avant Walt Disney il y eut Palmer Cox.” Cap-aux-Diamants, Hiver 1997. https://www.erudit.org/fr/revues/cd/1997-n48-cd1042038/8219ac.pdf.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Sherman, Leah, and Stanley Horner. Children’s Art Classes at the Art Gallery of Montreal, Run by Arthur Lismer. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1997.
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Roza, Alexandria M. “Towards a Modern Canadian Art, 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott.” Master’s Thesis, McGill University, 1997. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ43942.pdf.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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